To be born twice. First to suffer. Then to shine.
That is precisely what Fela Kuti did through his life as an artist, a composer, a pioneer, a human rights activist, a politician in his own right, and a son whose mother was just as brave and powerful a force.
I went to see Fela the off-Broadway last night at 37 Arts. It’s been on my list of things to do for the longest time. Walking distance from my office, I finally had some time during lunch to purchase a ticket. I think I got the last ticket of that night.
Immediately upon entering the theater, I can’t help but break a smile as a band jams on with drums and horns, setting the mood before anything started. The walls closed in with colorful tribal images and murals. Then the show starts, with an amazing entrance of ladies grooving onto the center stage. Very African. Very 60’s. Very captivating.
Then the party begins. As we, the audience, becomes part of the last and biggest fiesta in Nigeria. Belies all the singing and dancing, it is a show with a purpose, one with serious messages that offer insight into the history, the tragedies, and the truth of one man and his country. We get to learn so much about him, about how he pursued his passion in music, and how he followed his mother’s example to fight for justice, independence, and freedom. All with the tunes of the rhythmic Afrobeat.
It was not Fela’s biography told by him, however. The show is more real than you can imagine. Fela, played by Sahr Ngaujah, engaged us from the very beginning and successfully revealed to us the inner journeys of his thoughts on music, dance, politics and life.
I love how he lit up a smoke not once, but twice during the show. And I love the voice of Fela’s mother, Funmilayo, played and sung by Abena Koomson. Most important, far above and beyond the artistic set and costume designs, I love the issues that are subtly addressed in this beautiful production, all of which are still relevant today. You should go check it. I promise it is a magical experience.
Random: I saw Fiona Apple at the show. She doesn’t sound/look as tough as her songs, but rather timid.